Untucked and Unraveled: How Drag Race Philippines Affects the Future of Queer Filipino Youth

Photo by Mika Orolfo

Hello Dalaygon!

Even with our burgeoning adulthood in college, it always seems like we’re just barely scratching the surface when it comes to figuring out who we are, and how to truly make our mark in the world. Finding out our identity comes as naturally as it is difficult, leading us to explore and expose ourselves to different things in the world to help us learn who we are, while also enjoying the process as we go along. Our identity shouldn’t have to be a chore to figure out, it should be as equally fun for us as it is important. 

One essential way that we expose ourselves to the world, aside from real-life experiences and interactions, is to see things through a different lens provided to us by art and media. Recently, one such series ended. Aside from the laughs and high fashion it brought, it also taught us valuable lessons, pivotal not only for us young adults, but especially for the younger queer generation who are just figuring things out for themselves. Of course, I’m talking about the recently concluded Drag Race Philippines Season 1—how its impact made waves to our country’s youth, and how the show also affects the exposure of queer media for the next generations.

Drag Race Philippines, commonly abbreviated to DRPH, is one of the many franchises under RuPaul’s Drag Race, a drag-centric reality competition show that not only showcases the contestants’ prowess in fashion, acting, and other skills, but also helps give a deeper look into both the art and history of drag. As the years continued, what has once been considered a niche in its art form, and even a taboo subject, had steadily grown to be more inclusive of its contestants, with the stars formerly being predominantly male, but have now grown to include trans contestants and other genders that don’t fit into the regular binary; DRPH had also become a staple in the media industry, with Drag Race becoming a household name and also giving way to other drag-centric shows, such as Dragula.

Being one of the earliest consistent shows catered to members of the LBGTQ+ community, to say that it was an uphill battle is an understatement. Despite the resounding applause from its target audience, there was inevitable pushback from conservative groups that claimed the show was brainwashing the everyday people as they demanded its cancellation. However, aside from their local success in America, they also found support from other countries, such as Saudi Arabia, Thailand, and most relevant to the article, the Philippines. Our own nation had been struggling with the acceptance of queer representation, and those at the time didn’t want to let go of the beautiful art form that was drag, which had long been making its mark in our country.

In recent years, the inclusion of queer representation in popular media, such as television and film, has been gradually increasing. As topics concerning sexuality and gender become more acceptable in today’s modern society, so do the people who live those lifestyles. This inclusivity in media can profoundly impact young, marginalized members of society. 

Such is the case for queer people, who are finally seeing themselves in mainstream pop culture in a manner that is respectful and accurate. It is also important to remember that these individuals are more than their sexual orientation and gender identity and that those are simply smaller parts that make up a multi-dimensional person with unique goals and aspirations. They have characteristics aside from their sexual and romantic preferences that people often box their identity in. Additionally, queer characters in media help shape people’s perceptions and change how one would see the world through new perspectives and viewpoints, and this may apply to all minorities.

From the queer icons of the show, we also learn lessons that we can apply to any and all walks of life—no matter the background, orientation, and any other aspect that makes a person who they are. Amidst the fashion and humor that the DRPH brought us, the queens also showed us a more vulnerable side as they open up and impart life lessons, both to each other and to the audience. The queens talk about deeper issues such as the hardships of being an overseas Filipino worker and being far away from their family; as well as discussions on how queer representation in the country had for so long been tokenized and met with a mixture of only comedic relief and disdain, and how only in recent years had drag been finally accepted into the limelight as a proper art and fashion form.

What Drag Race Philippines has brought to the table was not only the beautiful looks and fierce quips (and a killer pop girl group song!), but also a deeper understanding of the strength that the LGBTQ+ community has, and how in the Philippines alone, there’s an entire world of representation to explore. As mentioned before, even as young adults, we’re still in the process of figuring things out for ourselves—and that’s okay! There’s no deadline to finding out who you are, and the process of figuring out your own identity is just as important as the goal itself.

You don’t need a label or a box to put yourself in, nor do you have to force yourself to be one thing or another. What’s most important is, just like the queens from Drag Race Philippines, you’ll be able to find the confidence and truth of who you truly are, and you should never feel enclosed or trapped, or stifle yourself in a particular way just to appease others. Drag Race Philippines’ queens showed that while you are exploring yourself, never stop being yourself, as that’s the most beautiful thing that one could carry: confidence.

In the wise words of Eva Le Queen, “Find your purpose in your heart, and nothing can stop you!”

Sandra Fagerstrom

Sandra is currently taking up Communication Arts in UST, but is also exploring different creative ventures such as painting, drawing, and of course, writing. She serves as a Literary Writer of CASA Chronicle, while also being a member of the multimedia arts organization of the school, Mediartrix. Aside from writing and drawing, she also spends her time crying about fictional characters from her favorite games and shows.

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